Independent Rappers Hustling Hip-Hop Dope - Pt.2-GangStarrGirl.com : GangStarr Girl

Independent Rappers Hustling Hip-Hop Dope – Pt.2

[ 0 ] August 13, 2008 |


Creature

*WARNING* Read part 1 before you continue.

Creature and Marvo migrate during the day, like H The Great. However, they mainly stay in the West Village.
Aerz Nights, an A&R rep for up-and-comer, Skyzoo, appears in front of the group. He hears what Creature says and is coincidentally coming from 14th Street, where he almost had an altercation with one of the Neanderthals.

“It’s funny because I see them messing with people all the time, but they don’t usually be messing with me like that,” says Aerz. “But today I was really about to hurt dude.”

Aerz says the “Neanderthal” who got out of line with him tried to force him to buy a CD by demanding so in a hostile tone of voice. He also flexed as if he were going to throw a punch. An altercation did not ensue but this is the opposite of how an artistpreneur should behave. According to Creature, artistpreneurs are refined and respectful. Marvo, who has been a full-time artistpreneur for a little over a year, says that he originally did not respect people who did what he’s doing today for a living.

“Before I started doing this, I used to come to Fat Beats and walk past the Virgin Mega Store, and I used to be embarrassed for the dudes that was doing this,” Marvo says. “I would look down on the dudes that were doing this but now, I can say that this is the best job I ever had.”

An Irish man, intrigued by the young artists, interrupts the conversation.
He is tall and pink, with wild, ear-length brunette hair, and wearing khaki corduroys and a navy blue blazer. His smile is coupled with a boozy jovial demeanor.

“Check it out,” Creature says as he displays his album, “Never Say Die.”

The Irish man playfully reads the title aloud as if it were a “Hooked on Phonics” commercial, his accent making the situation more comical.

“You Irish?” Creature says.

“Yes, from Dublin.”

“I was in Dublin last year. I performed at The Crawdaddy.”

The Irish man perks up more.

“THE CRAWDADDY! How about those Irish girls, ay?”

The group of men let out a pregnant laugh.

“How much do I owe you?”

“$10.”

“And don’t forget about mine,” Marvo chimes in.

“So that’s $20. That’s a lot of money.”

The Irish reaches into his pocket and pulls out a $20 bill. Marvo and Creature have simultaneously made a sale. The Irish man tells everyone goodbye and continues about his New York business.

“You can do this anywhere, but the good thing about doing it in New York is that your music gets all over the world, like Luxembourg,” Marvo says. “Basically, it’s like one of those skills you can take anywhere you want to go, but people e-mailed me from Luxenbourg and I’m not even sure where Luxenbourg is. I’ve gotten the West Congo in Africa, a place you would not normally be able to get your music to, or even signed, established artists maybe don’t have their records selling there. But you reach people all over the globe because they got your music, because you’re in New York pushing it all over.”

“Out-of-towners want to take home something authentic,” Creature adds. “We represent a soil and a certain aesthetic that New York is now becoming accustomed to, and they want to bring some of that authenticity home. And why not bring one of us? Take our product home.”

C-Rayz Walz, a popular fixture on the New York Hip-Hop scene for years (originally of the Stronghold crew), renowned for his freestyle and battle rap abilities (he has battled and beat the top battle rap emcees in the world), stops by and greets Creature and Marvo. He lingers for a little while, chatting with the artistpreneurs, and then he enters Fat Beats.

“You see how you just meet people out here?” Creature asks rhetorically. “Not only do you make your own hours, you meet people constantly, and you’re in control of your destiny. You don’t have to sit home broke. We meet people that people say they wish they could meet.”

Marvo was a performer in a summer River to River festival in New York City while Creature has been featured in The Village Voice, on Starz Network, MTV2, and he has gotten gigs as a result of meeting an incongruous mixture of people in this line of work.

“The best part about it is that we’re living off of our music,” says Marvo as Creature nods. “You think that you’re gonna make it as a superstar being on MTV or you’re gonna to be a starving artist, but there’s a lot of room between the two ends of the spectrum. There are people who are living comfortably off of their music and you might not know who they are but they have great followings. They stay on the road, their merchandise sells out. It’s real important. If you can keep ownership of your publishing and your merchandising and all that as an artist, you don’t have to have super platinum numbers to be successful.”

H The Great, Creature and Marvo all say they reap the benefits of being self-made and self-employed. Something else they have in common is the freedom in their schedules, which can vary depending upon how good their sales were from the previous day. They make their own hours and they say it’s not hard dealing with the 14th Street “Neanderthals.”

Police aren’t an issue either. They initially approach the artists, thinking bootleg CDs are being sold, but once they discover it’s the artists’ personal music and witness the professional manner in which the young men handle themselves, the issue is resolved.
Their biggest nuisance can come in the form of a New York City snow storm or winter chill, and while H The Great travels to southern states including Virginia and North Carolina, Creature and Marvo remain in New York during cold spells.

“When the weather is bad, we do the same thing you do when you go to work–dress warm,” Marvo says followed by a laugh.

As the politicking continues, another visitor appears in front of the group.

CLICK HERE for part 3.

Tags: , , , , , , , , ,

Category: Hip-Hop, Interviews, Music

About the Author ()

Starrene Rhett Rocque is a recovering journalist who often fantasizes about becoming a shotgun-toting B-movie heroine.